{"id":1202,"date":"2021-05-03T10:37:57","date_gmt":"2021-05-03T10:37:57","guid":{"rendered":"http:\/\/invivoarts.fr\/?page_id=1202"},"modified":"2025-04-30T19:28:34","modified_gmt":"2025-04-30T19:28:34","slug":"dialogues","status":"publish","type":"page","link":"https:\/\/invivoarts.fr\/?page_id=1202","title":{"rendered":"VIRTUALIT\u00c9(s)"},"content":{"rendered":"\t\t
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Virtualit\u00e9(s)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Les technologies num\u00e9riques, avec leurs innombrables formes, fonctions et r\u00e9verb\u00e9rations culturelles radicales, sont \u00e9galement ancr\u00e9es dans les arts du spectacle et les productions cin\u00e9matographiques. Ce cluster s\u2019int\u00e9resse \u00e0 la mani\u00e8re dont <\/span>le num\u00e9rique<\/span><\/i> et <\/span>le vivant<\/span><\/i> agissent ensemble et les uns sur les autres au sein de cr\u00e9ations et d\u2019\u00e9cosyst\u00e8mes <\/span>hybrides<\/span><\/i>.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\tSur sc\u00e8ne, mais est-ce en direct ? Un premier axe cherche \u00e0 comprendre comment les technologies num\u00e9riques transforment le pr\u00e9sent et, tr\u00e8s probablement, le futur des arts du spectacle vivant. La nature des arts du spectacle \u2013 leur vivacit\u00e9 unique \u2013 est-elle en train de muter en fonction de leur incorporation de moyens num\u00e9riques ? Quels sc\u00e9narios devrions-nous essayer d\u2019\u00e9viter ? Quels potentiels devrions-nous encourager ?\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Pour ceux qui s’int\u00e9ressent aux technologies num\u00e9riques, ce cluster propose \u00e9galement d’examiner comment le d\u00e9ploiement de celles-l\u00e0 dans les arts du spectacle et le cin\u00e9ma g\u00e9n\u00e8re de nouvelles perspectives sur les technologies num\u00e9riques elles-m\u00eames, contribuant peut-\u00eatre m\u00eame \u00e0 de nouveaux d\u00e9veloppements dans les m\u00e9dias num\u00e9riques.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\tEnfin, qu\u2019en est-il des \u00e9cosyst\u00e8mes de production, de communication et de r\u00e9ception des arts du spectacle et du cin\u00e9ma ? De quels \u00ab pouvoirs virtuels \u00bb constructifs b\u00e9n\u00e9ficient-ils ? Quelles voies s\u2019av\u00e8rent personnellement nuisibles ou moralement et professionnellement inviables ?\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Virtualit\u00e9(s)<\/strong> invite des chercheur\u00b7e\u00b7s, professionnel\u00b7le\u00b7s et artistes \u00e0 partager des projets qui mettent en lumi\u00e8re les d\u00e9fis de la r\u00e9volution num\u00e9rique dans les arts de la sc\u00e8ne et du cin\u00e9ma.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tPUBLIEZ AVEC NOUS !<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tinvivoarts@gmail.com\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Virtualit\u00e9(s) Les technologies num\u00e9riques, avec leurs innombrables formes, fonctions et r\u00e9verb\u00e9rations culturelles radicales, sont \u00e9galement ancr\u00e9es dans les arts du spectacle et les productions cin\u00e9matographiques. Ce cluster s\u2019int\u00e9resse \u00e0 la mani\u00e8re dont le num\u00e9rique et le vivant agissent ensemble et les uns sur les autres au sein de cr\u00e9ations et d\u2019\u00e9cosyst\u00e8mes hybrides. Sur sc\u00e8ne, mais […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1202","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/invivoarts.fr\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Virtualit\u00e9(s) Les technologies num\u00e9riques, avec leurs innombrables formes, fonctions et r\u00e9verb\u00e9rations culturelles radicales, sont \u00e9galement ancr\u00e9es dans les arts du spectacle et les productions cin\u00e9matographiques. Ce cluster s\u2019int\u00e9resse \u00e0 la mani\u00e8re dont le num\u00e9rique et le vivant agissent ensemble et les uns sur les autres au sein de cr\u00e9ations et d\u2019\u00e9cosyst\u00e8mes hybrides. Sur sc\u00e8ne, mais…","_links":{"self":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/1202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1202"}],"version-history":[{"count":38,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/1202\/revisions"}],"predecessor-version":[{"id":4577,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/1202\/revisions\/4577"}],"wp:attachment":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}