{"id":1430,"date":"2021-05-16T15:08:37","date_gmt":"2021-05-16T15:08:37","guid":{"rendered":"http:\/\/invivoarts.fr\/?page_id=1430"},"modified":"2025-11-30T07:45:42","modified_gmt":"2025-11-30T07:45:42","slug":"team","status":"publish","type":"page","link":"https:\/\/invivoarts.fr\/?page_id=1430&lang=en","title":{"rendered":"TEAM"},"content":{"rendered":"\t\t
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Directorial Board<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Alexandru Bumbas<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Theatre professor at the School of Dramatic Art of the National Theatre of Bogot\u00e1, Colombia. PhD in Theatre Studies (Sorbonne Nouvelle Paris) and PhD candidate in Jewish Studies (INALCO Paris), playwright, and director. Awardee of the Aide national \u00e0 la creation dramatique \u2013 ARTCENA. Rothschild Foundation scholarship recipient. He has published, with Complicit\u00e9s Publishing House in Paris, the monograph La Dystopie th\u00e9\u00e2trale. \u00c9mergence d\u2019une nouvelle forme dramatique (2022) and the theatre volume Anthologie de l\u2019absence (2024).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Anca Pop<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A researcher and editor based in London, Anca works at the crossroads of continental philosophy, life sciences, history of ideas, geopolitics, and visual and performing arts. She is presently a PhD candidate in Philosophy at Royal Holloway, University of London, writing a thesis on French Philosophy of Medicine and Biology, with the support of a Techne AHRC scholarship. Anca has taught Modern European Philosophy and Contemporary Epistemology and is presently also carrying out research into archives of historical medical photography and their current redeployment from the clinic to museums and galleries.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Andrei Simionescu-Panait<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Andrei Simionescu-Panait, Ph.D (University of Bucharest). is Lecturer at the National University of Science and Technology “Politehnica” Bucharest, teaching Philosophy of Technology, Ethics, and Communication. He is part of the first wave of philosophical counselors in Romania, both in practice and as a trainer of future counselors. Andrei uses LBT (logic based therapy), phenomenology, and Socratic dialogue to facilitate thinking and self-awareness in his work with clients. He is also a professor in the Master of Philosophical Counseling, West University of Timisoara, Romania. He is currently focusing on promoting philosophical practice to the general public.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Doina-Anca Cre\u021bu<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Assistant Professor in Modern European History at the University of Warwick, UK. PhD in International History and Politics from the Graduate Institute Geneva, Switzerland. Her research centers on history of humanitarianism, history of development, and history of migration (esp. history of refugees). She published her first monograph, Foreign Aid and State Building in Interwar Romania: In Quest of an Ideal at the Stanford University Press, 2024. Her ongoing research delves into aspects of history of refugees in imperial and post-imperial east-central Europe more generally.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Juan Jos\u00e9 Apolinar Romero<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Art historian graduated from the University of the Andes (Bogot\u00e1, Colombia) and holder of a master\u2019s in Advanced Studies in Art History from the University of Salamanca. In his work, he combines research with artistic practice across various media (textile, digital, drawing). His work has been part of the exhibition Hilos que nos conectan con el pasado at the Gold Museum of Bogot\u00e1 (2022-2023), and he has collaborated on editorial projects such as Historias del arte en Colombia, edited by Olga Acosta, Natalia Lozada, and Juanita Solano, 2022.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Larissa Luic\u0103<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\tPhD in French, Francophone, and Comparative Literatures from the Montaigne Bordeaux 3 University. Currently a researcher at CEREFREA (Regional Francophone Center for Advanced Studies in Social Sciences) at the University of Bucharest, where she focuses on Francophone literature, autobiographical and pseudo-autobiographical writings, as well as the representation of conflicts. Her research particularly explores cultural memory, narrative identity, and the role of comics in documenting historical and personal experiences. She has published works on topics such as migration, exile, and the representation of war in contemporary Francophone literature, with a particular focus on conflicts in the Middle East. She co-directs the research axis “Creativity, Reactivity, Francophonie” within CEREFREA.\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Laura Stan<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ph.D. candidate in Korean Studies at Hanyang University, Seoul. Master’s degree in Korean Studies from Hankuk University of Foreign Studies, Seoul. As the founder of the first Romanian samulnori team (a traditional Korean musical ensemble consisting of four instruments) \u2013 Pureun Narae \u2013 she has also been actively involved in numerous cultural projects. Her academic interests span cultural studies, diasporic studies, and international security.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Marie Marquelet<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Marie Marquelet is a PhD candidate in Film Studies at the University of Western Brittany and an associate researcher at the APP laboratory of the University of Rennes 2. In 2020, she completed a Master’s thesis in Film History and Aesthetics on figuration and speech in the cinema of Pedro Costa. Today, her research focuses more specifically on the poetics of engagement in contemporary documentary cinema and the innovations brought about by digital technologies in its practices, uses, and aesthetics. Marie has also been a member of the doctoral committee in Rennes for the international research program TECHNES and a writer for the journal Apaches.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Mar\u00eda Jos\u00e9 \u00c1vila Garc\u00eda<\/b><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Holder of a bachelor\u2019s degree in Visual Arts from the National Pedagogical University of Colombia. In her work, she creates, explores and exhibits poetic and fantastical narrative stories. Specialized in digital illustration, animation, scenography, textile and conceptual art. His works have been presented in national and international exhibitions, in Colombia, Spain and Argentina. Her teaching practice led her to work in rural areas in Colombia.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Mathilde Ba\u00efssus (Math. B.)<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Holding a Master\u2019s degree in Theatre Studies, Math. B. focuses their research on gender studies in theatre, after exploring \u2013 during their MA \u2013 the gender\u2019s cathartic impact in European contemporary theatre. After becoming a certified teacher in French literature in 2022, Math. B. widens their research perspectives to literature and grammar, questioning the constructive dynamics that emerge from the linguistical and social tensions withholding the confrontation between the institutional grammar and the constructive speeches emerging from queer performances and shows.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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M\u00e9lissa Bertrand<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In charge of the Public Relations for the Sc\u00e8ne Nationale l\u2019Empreinte (Brive and Tulle, France), researcher, and artist. Holding a PhD in Theatre Studies from Sorbonne Nouvelle, M\u00e9lissa organizes or participates in conferences, publishes articles, edits publications, and teaches at University Saint-Denis Paris 8. She is also an associate writer with the Compagnie de l\u2019Arch\u00e9e and a recipient of the National creation grant ARTCENA \u2013 France for her play La Faim aux yeux. Her play Int\u00e9rieurs (various staged readings) was published by \u00c9ditions du Carnet d\u2019Or in 2022 and adapted into a podcast in 2023. Her children’s play Le Chant de dessous les \u00eeles (2023) was supported by the collective \u00c0 Mots D\u00e9couverts. Co-founder of the reading committee Le Chardon.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Film critic, writer and language teacher based in France. She received her PhD from the University of Stirling and has written for many years on slow films, time and duration in cinema as well as trauma cinema. She wrote for a variety of festival catalogues and outlets, among them the BFI, Curzon, Multiplot and more. In addition, she curated a programme of slow films for the Canadian VoD service Highball TV and contributed to several German podcasts on cinema. In 2022, she was selected to take part in the Sight & Sound\u2019s survey \u2013 The Greatest Films of All Time. Her work has been published in several languages, such as Arabic, Greek, Italian and Portuguese.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Daniel Herrera Mautino<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Graphic designer graduated from the Peruvian University of Applied Sciences, currently studying marketing at the same university. As a content creator, he leads the OCTO Estudio team, where he specializes in designing visual identities for personal brands through a meticulous and strategic process that prioritizes conceptual depth over aesthetics. In addition, he develops content for social media, aligning design with each brand\u2019s communication goals.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Leticia Barboza Ayala<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Graphic designer graduated from the Peruvian University of Applied Sciences and content creator with experience in marketing, digital design, and communication. She leads the team at OCTO Estudio, contributing to strategic projects for personal brands and organizations. She has mainly worked in the education and gastronomy sectors, leading branding, social media, and UX\/UI projects. She is known for her strategic creativity and ability to connect brands with their audiences in an authentic way, using design as a tool to evoke emotion and strengthen identities.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t@InVivoArts\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tinvivoarts@gmail.com\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Directorial Board Alexandru Bumbas co-chief editor Theatre professor at the School of Dramatic Art of the National Theatre of Bogot\u00e1, Colombia. PhD in Theatre Studies (Sorbonne Nouvelle Paris) and PhD candidate in Jewish Studies (INALCO Paris), playwright, and director. Awardee of the Aide national \u00e0 la creation dramatique \u2013 ARTCENA. Rothschild Foundation scholarship recipient. 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