{"id":1782,"date":"2022-05-31T07:20:23","date_gmt":"2022-05-31T07:20:23","guid":{"rendered":"http:\/\/invivoarts.fr\/?page_id=1782"},"modified":"2025-04-30T16:26:52","modified_gmt":"2025-04-30T16:26:52","slug":"elementor-1782","status":"publish","type":"page","link":"https:\/\/invivoarts.fr\/?page_id=1782","title":{"rendered":"#Num\u00e9ro-pilote CRISE(s)"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t# Num\u00e9ro-pilote\n
CRISE(s)<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\tMai 2022\n
Num\u00e9ro coordonn\u00e9 par Alexandru Bumbas et Anca Pop\n
\u00c9ditrices: Mathilde Ba\u00efssus, Nadin Mai, Marie Marquelet, Laura Stan<\/div>\n<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\u00c9DITORIAL<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
\n\n\"\u00cdcono\n
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\u00a0 Un num\u00e9ro-pilote comme une injonction au dialogue [FR]<\/a><\/div>\n
\u00a0 Alexandru Bumbas<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\u00c9TUDES<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
\n\n\"\u00cdcono\n
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\u00a0 Settling \/ Unsettling \u2014 Leaving \/ Returning [EN]<\/a><\/div>\n
\u00a0 \u0130pek \u00c7ankaya<\/div>\n<\/div>\n<\/div>\n\n
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\n\n\"\u00cdcono\n
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\u00a0 Wonderstruck de Todd Haynes : le retour aux origines d\u2019un cin\u00e9ma en crise [FR]<\/a><\/div>\n
\u00a0 Letizia Lusuardi<\/div>\n<\/div>\n<\/div>\n\n
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\n\n\"\u00cdcono\n
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\u00a0 Cin\u00e9ma en lutte. Le mouvement des Gilets Jaunes, une crise de la repr\u00e9sentation [FR]<\/a><\/div>\n
\u00a0 \u00c9tienne Poiarez<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\n\"\u00cdcono\n
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\u00a0 Les biblioth\u00e8ques universitaires en p\u00e9riode de crise [FR]<\/a><\/div>\n
\u00a0 Alexandru Bumbas en dialogue avec C\u00e9line Hersant<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 La recherche artistique, non contrainte \u00e0 r\u00e9sultats, comme \u00e9mancipation du sch\u00e9ma institutionnel [FR]<\/a><\/div>\n
\u00a0 Julien Decoudun en dialogue avec Mohamed El Khatib<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Tapping into the Creative Power of Crisis and Cultural Diversity [EN]<\/a><\/div>\n
\u00a0 Ana\u00efs Faure en dialogue avec Yono Lee<\/div>\n<\/div>\n<\/div>\n\n
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\n\n\"\u00cdcono\n
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\u00a0 Former le cercle, ligne de r\u00e9sistance [FR]<\/a><\/div>\n
\u00a0 Cassandre Langlois en dialogue avec Milo Rau<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\u00a0 Otra Oportunidad, an Installation, with an Afterword by Anca POP [EN]<\/a><\/div>\n
\u00a0 Maria Jos\u00e9 \u00c1vila Garc\u00eda<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Within the Sevillanas Collective. A Photographic Testimonial [EN]<\/a><\/div>\n
\u00a0 Tomasz Salinski<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Bauhausparty, danser en temps de crise [FR]<\/a><\/div>\n
\u00a0 Andrea Urlberger<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tinvivoarts@gmail.com\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

# Num\u00e9ro-pilote CRISE(s)Mai 2022 Num\u00e9ro coordonn\u00e9 par Alexandru Bumbas et Anca Pop \u00c9ditrices: Mathilde Ba\u00efssus, Nadin Mai, Marie Marquelet, Laura Stan \u00c9DITORIAL \u00a0 Un num\u00e9ro-pilote comme une injonction au dialogue [FR] \u00a0 Alexandru Bumbas \u00c9TUDES \u00a0 Settling \/ Unsettling \u2014 Leaving \/ Returning [EN] \u00a0 \u0130pek \u00c7ankaya \u00a0 Wonderstruck de Todd Haynes : le retour […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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retour…","_links":{"self":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/1782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1782"}],"version-history":[{"count":125,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/1782\/revisions"}],"predecessor-version":[{"id":4394,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/1782\/revisions\/4394"}],"wp:attachment":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}