{"id":1912,"date":"2022-05-31T08:37:55","date_gmt":"2022-05-31T08:37:55","guid":{"rendered":"http:\/\/invivoarts.fr\/?page_id=1912"},"modified":"2025-04-30T16:15:21","modified_gmt":"2025-04-30T16:15:21","slug":"hors-seriedepasser-les-binarites-representations-et-performances-des-genres-et-des-sexualitesjuin-2022","status":"publish","type":"page","link":"https:\/\/invivoarts.fr\/?page_id=1912","title":{"rendered":"# Hors-s\u00e9rie
D\u00c9PASSER LES BINARIT\u00c9S : REPR\u00c9SENTATIONS ET PERFORMANCES DES GENRES ET DES SEXUALIT\u00c9S
(Juin 2022)"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t# Hors-s\u00e9rie\n
D\u00c9PASSER LES BINARIT\u00c9S<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Repr\u00e9sentations et performances des genres et des sexualit\u00e9s<\/em><\/p>

Juin 2022<\/div>
Num\u00e9ro coordonn\u00e9 par M\u00e9lissa Bertrand en complicit\u00e9 avec Pablo Dubott<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\u00c9DITORIAL<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
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\u00a0 Perturber les binarit\u00e9s : au croisement entre \u00e9tudes th\u00e9\u00e2trales et \u00e9tudes de genre [FR]<\/a><\/div>\n
\u00a0 M\u00e9lisa Bertrand et Pablo Dubott<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tSC\u00c8NES ET GENRES \u00c0 L\u2019\u00c9PREUVE DE LA RECHERCHE ACTUELLE<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
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\u00a0 Pr\u00e9ambule [FR]<\/a><\/div>\n
\u00a0 M\u00e9lisa Bertrand et Pablo Dubott<\/div>\n<\/div>\n<\/div>\n\n
\n\n
\n\n\"\u00cdcono\n
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\u00a0 De th\u00e9\u00e2tre et f\u00e9minin \u00e0 fictions queer : approches esth\u00e9tico-politiques et th\u00e9orie de la relation [FR]<\/a><\/div>\n
\u00a0 Muriel Plana<\/div>\n<\/div>\n<\/div>\n\n
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\n\n\"\u00cdcono\n
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\u00a0 \u00c0 voile et \u00e0 vapeur. Pour une esth\u00e9tique bisexuelle au th\u00e9\u00e2tre [FR]<\/a><\/div>\n
\u00a0 M\u00e9lissa Bertrand en discussion avec Le\u00efla Cassar<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\u00a0F\u00c9MINIT\u00c9S, EMPOUVOIREMENT, SEXUALIT\u00c9S QUEER<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
\n\n\"\u00cdcono\n
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\u00a0 De l\u2019art performatif \u00e0 la philosophie : l\u2019\u00e9change queer de Ron Athey et Georges Bataille [FR]<\/a><\/div>\n
\u00a0 Antoine Alario<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 I believe I\u2019ve torn my gown \u00bb : performance de genre non-conforme et r\u00e9cit de soi dans le th\u00e9\u00e2tre am\u00e9ricain [FR]<\/a><\/div>\n
\u00a0 Charalampos Keivanidis<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 La repr\u00e9sentation post-pornographique : analyse du travail artistico-militant d’Annie Sprinkle dans Post-porn Modernist (1989) [FR]<\/a><\/div>\n
\u00a0 Margot Lahalle<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Le corps en devenir : La d\u00e9construction du sujet trans [FR]<\/a><\/div>\n
\u00a0 Stefania Lodi Rizzini<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Repr\u00e9sentations genr\u00e9es d\u2019Antigone de Sophocle en Europe au XXIe si\u00e8cle [FR]<\/a><\/div>\n
\u00a0 Charitini Tsikoura<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\u00a0 Travailler l\u2019empathie organique<\/a><\/div>\n
\u00a0 M\u00e9lissa Bertrand en dialogue avec R\u00e9becca Chaillon<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Transformer les corps par la langue<\/a><\/div>\n
\u00a0 Le\u00efla Cassar en dialogue avec Marie Dilasser<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 La cr\u00e9ation entre rupture et m\u00e9moire\u00a0: un voyage en qu\u00eate de fronti\u00e8res<\/a><\/div>\n
\u00a0 Stefania Lodi Rizzini en dialogue avec Phia M\u00e9nard<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\u00a0 H\u00e9t\u00e9rophophie (fragments)<\/a><\/div>\n
\u00a0 Pablo Dubott<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t@InVivoArts\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tinvivoarts@gmail.com\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

# Hors-s\u00e9rie D\u00c9PASSER LES BINARIT\u00c9S Repr\u00e9sentations et performances des genres et des sexualit\u00e9s Juin 2022Num\u00e9ro coordonn\u00e9 par M\u00e9lissa Bertrand en complicit\u00e9 avec Pablo Dubott \u00c9DITORIAL \u00a0 Perturber les binarit\u00e9s : au croisement entre \u00e9tudes th\u00e9\u00e2trales et \u00e9tudes de genre [FR] \u00a0 M\u00e9lisa Bertrand et Pablo Dubott SC\u00c8NES ET GENRES \u00c0 L\u2019\u00c9PREUVE DE LA RECHERCHE ACTUELLE […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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L\u2019\u00c9PREUVE DE LA RECHERCHE ACTUELLE…","_links":{"self":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/1912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1912"}],"version-history":[{"count":82,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/1912\/revisions"}],"predecessor-version":[{"id":4384,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/1912\/revisions\/4384"}],"wp:attachment":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}