{"id":2404,"date":"2023-07-25T14:18:58","date_gmt":"2023-07-25T14:18:58","guid":{"rendered":"http:\/\/invivoarts.fr\/?page_id=2404"},"modified":"2025-04-30T16:20:10","modified_gmt":"2025-04-30T16:20:10","slug":"1-animaux","status":"publish","type":"page","link":"https:\/\/invivoarts.fr\/?page_id=2404","title":{"rendered":"#1 ANIMAUX"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t#1 ANIMAUX\n
\navec un dossier<\/em> sur le th\u00e9\u00e2tre juif\n\n<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\tJuillet 2023\n
\n\nNum\u00e9ro coordonn\u00e9 par Alexandru Bumbas et Anca Pop\n
\u00c9diteurs: Mathilde Ba\u00efssus, M\u00e9lissa Bertrand, Larissa Luic\u0103, Nadin Mai, Marie Marquelet, Laura-Florina Stan<\/div>\n<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\u00c9DITORIAL<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
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\u00a0 Les animaux dans les arts du spectacle vivant : \u00e9thique(s) ou esth\u00e9tique(s) [FR]<\/a><\/div>\n
\u00a0 Alexandru Bumbas<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\u00a0 La repr\u00e9sentation des animaux sauvages dans le monde romain : ar\u00e8nes, chasses et d\u00e9monstration du pouvoir \u00e0 travers les d\u00e9cors mosa\u00efqu\u00e9s [FR]<\/a><\/div>\n
\u00a0 Sarah Kourdi<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Grrrr… Une r\u00e9flexion a-sc\u00e9nographique \u00e0 partir de la pr\u00e9sence animale sur la sc\u00e8ne th\u00e9\u00e2trale [FR]<\/a><\/div>\n
\u00a0 C\u00e9line-Marie Herv\u00e9<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Judith Butler et les corps qui comptent des animaux : une cartographie des articulations esth\u00e9tico-politiques dans les performances militantes antisp\u00e9cistes [FR]<\/a><\/div>\n
\u00a0 Ombre Tarragnat<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\u00a0 Ceux qui jouent avec les chats doivent s\u2019attendre \u00e0 \u00eatre griff\u00e9s [FR]<\/a><\/div>\n
\u00a0 Dominique Blumenstihl-Roth<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 La dramaturgie des animaux dans les cr\u00e9ations sc\u00e9niques de Romeo Castellucci [FR]<\/a><\/div>\n
\u00a0 Amandine Mercier<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Le savoir \u00e0 l\u2019\u00e9preuve du poulpe dans le r\u00e9cit \u00ab\u2009Autobiographie d\u2019un poulpe ou la communaut\u00e9 des Ulysse\u2009\u00bb de Vinciane Despret et le spectacle Temple du pr\u00e9sent\u202f: solo pour octopus de Stefan Kaegi, Nathalie K\u00fcttel et Judith Zagury [FR]<\/a><\/div>\n
\u00a0 Ketzali Yulmuk-Bray<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Bovines (2011) d\u2019Emmanuel Gras : vers un cin\u00e9ma documentaire contemplatif sur les animaux [FR]<\/a><\/div>\n
\u00a0 Alice Rosenthal<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Examen transm\u00e9diatique de l\u2019animal canin dans deux films policiers : \u00ab Le Chien jaune \u00bb de Simenon par Claude Barma et \u00ab Un roi sans divertissement \u00bb de Giono par Fran\u00e7ois Leterrier [FR]<\/a><\/div>\n
\u00a0 Fatima Seddaoui<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Humanimalit\u00e9 : les portraits de singe dans \u00ab Untitled (Human Mask) \u00bb de Pierre Huyghe et \u00ab Nope \u00bb de Jordan Peele [FR]<\/a><\/div>\n
\u00a0 Adrian Fix<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\u00a0 Animal Welfare and Biodiversity Governance in Sustainable Art Production and Consumption: A Study in the Film and TV Industry in Northeast Asia [EN]<\/a><\/div>\n
\u00a0 Xiuli Chen et Jiyeon Baek<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDES ESSAIS (VISUELS)<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
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\u00a0 Hippo-Opto : cirque exp\u00e9rimental et t\u00e9l\u00e9pr\u00e9sence vers une forme de communication interesp\u00e8ces [FR]<\/a><\/div>\n
\u00a0 Charl\u00e8ne Dray<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 And the Animal: Eight Variations on Krasznahorkai & Neumann\u2019s Animalinside [EN]<\/a><\/div>\n
\u00a0 Adrian Switzer<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\u00a0 L\u2019 \u00c2nimal cin\u00e9matographe : notes d\u2019un spectateur sur le film EO (2022) de Jerzy Skolimowski [FR]<\/a><\/div>\n
\u00a0 Herv\u00e9 Couchot<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\tLe th\u00e9\u00e2tre juif : un objet anthropologique ?\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\tDossier<\/em> coordonn\u00e9 par Alexandru Bumbas\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00a0 Le th\u00e9\u00e2tre juif : un objet anthropologique ? [FR]<\/a><\/div>\n
\u00a0 Madalina V\u00e2rtejanu-Joubert<\/span><\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tACTES DE LA JOURN\u00c9E D\u2019\u00c9TUDES<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
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\u00a0 L\u2019Exagoge \u00bb : une r\u00e9\u00e9criture tragique de \u00ab l\u2019Exode \u00bb [FR]<\/a><\/div>\n
\u00a0 Marta Fusaro<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Jewish Theatres and Jewish Languages. Intersections of the Yiddish and the Hebrew Stage [EN]<\/a><\/div>\n
\u00a0 Raffaele Esposito<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Le th\u00e9\u00e2tre yiddish en Occident : mise en spectacle d\u2019une identit\u00e9 nomade [FR]<\/a><\/div>\n
\u00a0 Mich\u00e8le Fornhoff-Levitt<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Continuity by Change: Intergenerational Memory Transmission in Contemporary Israeli Theater [EN]<\/a><\/div>\n
\u00a0 Achinoam Aldouby<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tinvivoarts@gmail.com\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

#1 ANIMAUX avec un dossier sur le th\u00e9\u00e2tre juif Juillet 2023 Num\u00e9ro coordonn\u00e9 par Alexandru Bumbas et Anca Pop \u00c9diteurs: Mathilde Ba\u00efssus, M\u00e9lissa Bertrand, Larissa Luic\u0103, Nadin Mai, Marie Marquelet, Laura-Florina Stan \u00c9DITORIAL \u00a0 Les animaux dans les arts du spectacle vivant : \u00e9thique(s) ou esth\u00e9tique(s) [FR] \u00a0 Alexandru Bumbas DES MOD\u00c8LES ET DES CONCEPTS […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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