{"id":2791,"date":"2024-04-17T15:12:35","date_gmt":"2024-04-17T15:12:35","guid":{"rendered":"http:\/\/invivoarts.fr\/?page_id=2791"},"modified":"2025-04-30T06:03:56","modified_gmt":"2025-04-30T06:03:56","slug":"pilot-crisis-may-2022-spaniola","status":"publish","type":"page","link":"https:\/\/invivoarts.fr\/?page_id=2791&lang=es","title":{"rendered":"#Pilot CRISIS May 2022 – spaniola"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\tN\u00famero piloto\n
\nCRISIS\n<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\tMayo, 2022
\nN\u00famero coordinado por Alexandru Bumbas y Anca Pop
\nEditorxs: Mathilde Ba\u00efssus, Nadin Mai, Marie Marquelet, Laura Stan\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\n\"\u00cdcono\n
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\u00a0 A Pilot Issue as a Call for Dialogue [EN]<\/a><\/div>\n
\u00a0 Alexandru Bumbas<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\n\"\u00cdcono\n
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\u00a0 Settling \/ Unsettling \u2014 Leaving \/ Returning [EN]<\/a><\/div>\n
\u00a0 \u0130pek \u00c7ankaya<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Wonderstruck de Todd Haynes : le retour aux origines d\u2019un cin\u00e9ma en crise [FR]<\/a><\/div>\n
\u00a0 Letizia Lusuardi<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Cin\u00e9ma en lutte. Le mouvement des Gilets Jaunes, une crise de la repr\u00e9sentation [FR]<\/a><\/div>\n
\u00a0 \u00c9tienne Poiarez<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\u00a0 Les biblioth\u00e8ques universitaires en p\u00e9riode de crise [FR]<\/a><\/div>\n
\u00a0 Alexandru Bumbas en di\u00e1logo con C\u00e9line Hersant<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 La recherche artistique, non contrainte \u00e0 r\u00e9sultats, comme \u00e9mancipation du sch\u00e9ma institutionnel [FR]<\/a><\/div>\n
\u00a0 Julien Decoudun en di\u00e1logo con Mohamed El Khatib<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Tapping into the Creative Power of Crisis and Cultural Diversity [EN]<\/a><\/div>\n
\u00a0 Ana\u00efs Faure en di\u00e1logo con Yono Lee<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Former le cercle, ligne de r\u00e9sistance [FR]<\/a><\/div>\n
\u00a0 Cassandre Langlois en di\u00e1logo con Milo Rau<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\u00a0 Otra Oportunidad, an Installation, with an Afterword by Anca POP [EN]<\/a><\/div>\n
\u00a0 Maria Jos\u00e9 \u00c1vila Garc\u00eda<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Within the Sevillanas Collective. A Photographic Testimonial [EN]<\/a><\/div>\n
\u00a0 Tomasz Salinski<\/div>\n<\/div>\n<\/div>\n\n
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\u00a0 Bauhausparty, danser en temps de crise [FR]<\/a><\/div>\n
\u00a0 Andrea Urlberger<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tinvivoarts@gmail.com\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

N\u00famero piloto CRISIS Mayo, 2022 N\u00famero coordinado por Alexandru Bumbas y Anca Pop Editorxs: Mathilde Ba\u00efssus, Nadin Mai, Marie Marquelet, Laura Stan EDITORIAL \u00a0 A Pilot Issue as a Call for Dialogue [EN] \u00a0 Alexandru Bumbas ESTUDIOS DE CASO \u00a0 Settling \/ Unsettling \u2014 Leaving \/ Returning [EN] \u00a0 \u0130pek \u00c7ankaya \u00a0 Wonderstruck de Todd […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2791","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/invivoarts.fr\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"N\u00famero piloto CRISIS Mayo, 2022 N\u00famero coordinado por Alexandru Bumbas y Anca Pop Editorxs: Mathilde Ba\u00efssus, Nadin Mai, Marie Marquelet, Laura Stan EDITORIAL \u00a0 A Pilot Issue as a Call for Dialogue [EN] \u00a0 Alexandru Bumbas ESTUDIOS DE CASO \u00a0 Settling \/ Unsettling \u2014 Leaving \/ Returning [EN] \u00a0 \u0130pek \u00c7ankaya \u00a0 Wonderstruck de Todd…","_links":{"self":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/2791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2791"}],"version-history":[{"count":100,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/2791\/revisions"}],"predecessor-version":[{"id":4161,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/2791\/revisions\/4161"}],"wp:attachment":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}