{"id":3555,"date":"2025-04-24T05:22:16","date_gmt":"2025-04-24T05:22:16","guid":{"rendered":"http:\/\/invivoarts.fr\/?page_id=3555"},"modified":"2025-05-05T23:00:39","modified_gmt":"2025-05-05T23:00:39","slug":"2-inconnu-e-s","status":"publish","type":"page","link":"https:\/\/invivoarts.fr\/?page_id=3555&lang=es","title":{"rendered":"#2 Desconocidxs"},"content":{"rendered":"\t\t
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#2 DESCONOCIDX(s)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\tAbril, 2025
\nN\u00famero coordinado por Alexandru Bumbas y Anca Pop\n
Editorxs: Mathilde Ba\u00efssus,\u00a0M\u00e9lissa Bertrand, Laura Stan\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tEDITORIAL<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

\"\u00cdcono<\/p>

\u00a0\u00a0<\/a>\u00bfDESCONOCIDX(s)? Un intento de descubrir y cartografiar los \u201cfuera de marco\u201d de las artes vivas y el cine de hoy [ES]<\/b><\/a><\/div>
\u00a0 Alexandru Bumbas y Anca Pop<\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMIRADA(s) Y OBSERVACI\u00d3N(es)<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

\"\u00cdcono<\/p>

\u00a0 La marginalit\u00e9 choisie du \u00ab Laboratoire Voice & Body \u00bb : un espace de libert\u00e9, entre recherche et cr\u00e9ation, volontairement en dehors des cadres institutionnels [FR] <\/a><\/div>
\u00a0 Samuel Lhuillery<\/div><\/div><\/div>

\"\u00cdcono<\/p>

\u00a0 Les Inconnus de la Sc\u00e8ne : Le Th\u00e9\u00e2tre Amateur sur la sc\u00e8ne de l’Iran Post-R\u00e9volutionnaire [FR] <\/a><\/div>
\u00a0 Azin Mohammadali<\/div><\/div><\/div>

\"\u00cdcono<\/p>

\u00a0 KGKNSV, STS: A Case of Independent Theatre Making in Vi\u1ec7t Nam after \u0110\u1ed5i M\u1edbi [EN] <\/a><\/div>
\u00a0 Tien Phat Nguyen et Huan Bui<\/div><\/div><\/div>

\"\u00cdcono<\/p>

\u00a0 Entre cr\u00e9ation et m\u00e9diation : r\u00e9alit\u00e9s du travail de l\u2019artiste contemporain, le cas du C(h)\u0153ur des femmes [FR]<\/a><\/div>
Nathalie Schieb-Bienfait et Pauline Boivineau<\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\"\u00cdcono<\/p>

\u00a0 Collaboration et co-cr\u00e9ation entre artistes dit.es valides et artistes en situation de handicap mental. \u00c9coute et rythme dans le duo [FR]
<\/a><\/div>
\u00a0 Marie Bonnarme<\/div><\/div><\/div>

\"\u00cdcono<\/p>

\u00a0 \u00ab Sans influence \u00bb. Filmer la cr\u00e9ation au-del\u00e0 de la question de l\u2019amateurisme [FR]<\/a><\/div>
\u00a0 Lou-Andr\u00e9a D\u00e9sir\u00e9<\/div><\/div><\/div>

\"\u00cdcono<\/p>

\u00a0 \u00ab Amazing Journey \u00bb, r\u00e9cit d\u2019un voyage indisciplin\u00e9 [FR]
<\/a><\/div>
\u00a0 Alexandre Montin et Maxine Reys<\/div><\/div><\/div>

\"\u00cdcono<\/p>

\u00a0 Bali Luwak : un projet de recherche cr\u00e9ation. Inconnu ? [FR]<\/a><\/div>
\u00a0 Biliana Vassileva<\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\"\u00cdcono<\/p>

\u00a0 No longer, not yet: nomadic homes as utopian realities in South Africa [EN]<\/a><\/div>
\u00a0 Mara Mbele<\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\"\u00cdcono<\/p>

\u00a0 Artes vivas en la jungla Mohol [ES]<\/a><\/div>
\u00a0 Jean-Fr\u00e9d\u00e9ric Chevallier<\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\"\u00cdcono<\/p>\n

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  <\/a>Une nymphe en baskets [FR]<\/b><\/a><\/div>\n
  Pauline Boivineau en di\u00e1logo con Jos\u00e9phine Boivineau<\/div>\n<\/div>\n<\/div>\n
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\"\u00cdcono<\/p>\n

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 <\/a> <\/b>\u00ab La Biquette d\u2019El Biar \u00bb ou Les Inconnu.e.s de l\u2019Histoire [FR]<\/b><\/a><\/div>\n
  Alexandru Bumbas en di\u00e1logo con Karine B\u00e9nac<\/div>\n<\/div>\n<\/div>\n
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\"\u00cdcono<\/p>\n

\n
  \u00ab Entre putas\u2026una voz \u00bb. Una obra sobre y con las prostitutas desconocidas de Bogot\u00e1 [ES]
<\/a><\/div>\n
  Alexandru Bumbas en di\u00e1logo con Adela Donadio y Leonardo Petro<\/div>\n<\/div>\n<\/div>\n
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\"\u00cdcono<\/p>\n

\n
  \u00ab J\u2019suis pas une vip\u00e8re, j\u2019suis un dragon, un dragon crois\u00e9 d\u2019un phacoch\u00e8re, j\u2019mets des paillettes pour pas qu\u2019tout p\u00e8te\u2026 Et si vous voulez en savoir plus, venez me voir sur sc\u00e8ne ! \u00bb [FR]<\/a><\/div>\n
  Youn Le Guern-Herry en di\u00e1logo con Jo\u00e9 Lopes alias Dalidyke<\/div>\n<\/div>\n<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tOBRAS (dram\u00e1ticas)<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

\"\u00cdcono<\/p>

\u00a0\u00a0<\/a>La Biquette d\u2019El Biar, pi\u00e8ce de th\u00e9\u00e2tre in\u00e9dite, 2022 [FR]<\/b><\/a><\/div>
\u00a0 Karine Katia B\u00e9nac<\/div><\/div><\/div>

\"\u00cdcono<\/p>

\u00a0 Pr\u00e9stame color (un experimento sensible), obra de teatro in\u00e9dita, 2024 [ES]<\/a><\/div>
\u00a0 Fabi\u00e1n A. Bonilla<\/div><\/div><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tinvivoarts@gmail.com\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/h6>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

#2 DESCONOCIDX(s) Abril, 2025 N\u00famero coordinado por Alexandru Bumbas y Anca Pop Editorxs: Mathilde Ba\u00efssus,\u00a0M\u00e9lissa Bertrand, Laura Stan EDITORIAL \u00a0\u00a0\u00bfDESCONOCIDX(s)? Un intento de descubrir y cartografiar los \u201cfuera de marco\u201d de las artes vivas y el cine de hoy [ES]\u00a0 Alexandru Bumbas y Anca Pop MIRADA(s) Y OBSERVACI\u00d3N(es) \u00a0 La marginalit\u00e9 choisie du \u00ab Laboratoire […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-3555","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/invivoarts.fr\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"#2 DESCONOCIDX(s) Abril, 2025 N\u00famero coordinado por Alexandru Bumbas y Anca Pop Editorxs: Mathilde Ba\u00efssus,\u00a0M\u00e9lissa Bertrand, Laura Stan EDITORIAL \u00a0\u00a0\u00bfDESCONOCIDX(s)? Un intento de descubrir y cartografiar los \u201cfuera de marco\u201d de las artes vivas y el cine de hoy [ES]\u00a0 Alexandru Bumbas y Anca Pop MIRADA(s) Y OBSERVACI\u00d3N(es) \u00a0 La marginalit\u00e9 choisie du \u00ab Laboratoire…","_links":{"self":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/3555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3555"}],"version-history":[{"count":185,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/3555\/revisions"}],"predecessor-version":[{"id":4933,"href":"https:\/\/invivoarts.fr\/index.php?rest_route=\/wp\/v2\/pages\/3555\/revisions\/4933"}],"wp:attachment":[{"href":"https:\/\/invivoarts.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}